THE ART OF THE NORTHWEST COAST INDIANS
New York: 1975. 50 pages, 60 photographs. Cloth cover. (written for 8-14 year olds).
Northwest Coast Art
INDIANS OF THE NORTHWEST COAST; AMERICAN MUSEUM OF NATURAL HISTORY, Handbook Series No. 10, 1934 (2nd ed.)
1949. 175 pages, 145 drawings and 37 photographs of objects of material culture. Later cloth cover.
HAIDA TOTEMS IN WOOD AND ARGILLITE
Vancouver: 1967. 24 pages, 16 large photographs.
INDIAN ART OF THE NORTHWEST COAST
Art Center in La Jolla: 1962. 28 pages, 22 photographs.
NORTHWEST COAST INDIAN ART. An Exhibit at the Seattle World's Fair Fine Arts Pavilion
Seattle: 1962. 101 pages, 102 b/w and 3 color photographs, 2 maps.
ART IN THE LIFE OF THE NORTHWEST COAST INDIANS
Portland Art Museum, 1966. 284 pages, 74 b/w and 10 large color photographs of objects in the Rasmussen collection, particularly Tlingit. Soft cover edition.
ART IN THE LIFE OF THE NORTHWEST COAST INDIANS
Portland Art Museum, 1966. 284 pages, 74 b/w and 10 large color photographs of objects in the Rasmussen collection, particularly Tlingit. Cloth cover.
SALISH WEAVING
Seattle: 1980. 160 pages, 101 b/w and 5 color photographs, 28 drawings. Cloth cover.
DONNERVOGEL UND RAUBWAL, Indianisch Kunst der Nortwestkuste Nordamerikas (Thunderbird and Killer Whale, Indian Art of the Northwest Coast of North America)
Hamburg: 1979. 292 pages, 280 b/w and 16 color photographs. What probably was the most important exhibition of Northwest Coast art ever to be mounted on the European continent was held in 1979 in Hamburg. Many objects, previously unpublished, were drawn from museums throughout Europe and from a number of...
STORIES TOLD IN WINTER
Forest Grove: Champueg Press, 1976. Illustrated from the original prints of Valerie Willson. 76 pages plus 15 full-page prints by Valerie Willson illustrating Pacific Northwest Indian tales retold by Douglas Hadley. In addition, there is an original Valerie Willson etching tipped-in as a front piece. Cloth cover, small folio size...
ART OF THE KWAKIUTL INDIANS, And Other Northwest Coast Tribes.
Seattle: 1967. xxx, 410 pages of text containing 537 b/w photograhs and 3 maps, plus 32 page of color photographs. Cloth cover.
THE NATIVE RACES OF THE BRITISH EMPIRE: BRITISH NORTH AMEIRCA I. The Far West. The Home of the Salish and Dene.
London: 1907. xiv, 263 pages of text, plus 32 full-page photographs--principally of artifacts--and 1 map. Gilt decorated cloth cover. Very good condition.
NORTHWEST COAST INDIAN ART. An Analysis of Form
Seattle: 1965, 1993. 133 pages, 54 line drawings, 44 photographs, 3 tables. For the first time, a genuinely analytical study and examination of the basic elements that characterize Northwest Coast art has been assembled in one volume. Fine photographs and drawings illustrate this splendid aesthetic analysis by one of the...
SPIRIT AND ANCESTOR. A Century of Northwest Coast Indian Art at the Burke Museum
Seattle: 1987. 253 pages, 98 full-page color photographs, 19 b/w photographs, 2 drawings, 1 map. Cloth cover. The Thomas Burke Memorial Museum is the repository of the fifth largest collection of Northwest Coast art in the United States. In celebration of its centennial, the museum published this catalogue of 100...
SMOKY-TOP. The Art and Times of Willie Seaweed
Seattle: 1983. 184pages, 185 large b/w photographs and 21 full-page and half-page color photographs. Cloth cover. The patriarch of 20th century Blunden Harbour artists, the prolific, brilliant Kwakiutl carver, Willie Seaweed, has recently been given a posthumus showing at the Thomas Burke Memorial Museum of 120 examples of his work...
FORM AND FREEDOM, A DIALOGUE ON NORTHWEST COAST INDIAN ART
Institute for the Arts, Rice University: 1975. 265 pages, 138 b/w and 50 color photographs. Brilliant. Witty. Dazzling. Wonderful. This dialogue between Mesrs. Holm and Reid, in which they observe, disect, discuss, ponder, and philosophize about 102 objects (magnificently photographed), makes these beautiful, vital pieces even more wondrous. The spontaneity...
ART OF THE NORTHWEST COAST INDIANS
Berkeley: 1950. 243 pages, 279 photographs. Cloth cover.
ART OF THE NORTHWEST COAST INDIANS
Berkeley: 1947, 1950, 1978. 243 pages, 279 b/w and 6 color photographs--all large, many full-page. Long regarded as one of the "classic" publications on Northwest Coast art, this volume, when published, was the most complete study on the art of this region to have been published in twenty years. The...
WHERE THE PEOPLE GATHER. Carving a Totem Pole
Vancouver and Seattle: 1992. xi, 175 pages, 127 photographs. Cloth cover.
INDIAN HEALING. Shamanic Ceremonialism in the Pacific Northwest Today
Surrey: 1982. 182 pages, 30 b/w and 9 color photographs, 2 drawings.
ART OF THE NORTHERN TLINGIT
Seattle: 1986. xiii, 188 pages of text, plus 50 additional pages that contain 45 pages of photographs, 3 pages of drawings, and I map. Cloth cover ed.
TLINGIT HALIBUT HOOKS: AN ANALYSIS OF THE VISUAL SYMBOLS OF A RITE OF PASSAGE
New York: 1981. 48 pages, 16 large photographs, 4 tables. This American Museum of Natural History publication may be the only one to deal with carved halibut hooks. The interesting and well-written text provides a good deal of previously unavailable information on these spiritually powerful carvings; the large photographs illustrate...
FROM THE LAND OF THE TOTEM POLES. The Northwest Coast Indian Art Collection at the American Museum of Natural History
New York: 1988. 269 pages, 97 color and 88 b/w photographs--mostly full-page and half-page, 2 maps. Cloth cover.
FROM THE LAND OF THE TOTEM POLES. The Northwest Coast Indian Art Collection at the American Museum of Natural History
New York: 1988, 1994 (3rd printing). 269 pages, 97 color and 88 b/w photographs--mostly full-page and half-page, 2 maps. Soft cover.
FROM THE LAND OF THE TOTEM POLES. The Northwest Coast Indian Art Collection at the American Museum of Natural History
New York: 1988. 269 pages, 97 color and 88 b/w photographs--mostly full-page and half-page, 2 maps. Soft cover.